by meghanleborious | Jul 7, 2021 | Notes on Practice
“What just happened?” my entire nervous system seems to be asking. My son, Simon, just completed elementary school, I just finished up the school teaching year, and we just moved homes.
Moving day was in the high 90’s and extremely humid, and by early afternoon I had heat exhaustion. My eyes were strained to the point that it hurt to look sideways. I pushed on regardless, telling myself that somehow it simply had to happen. By evening I felt like I was spinning off the surface of the earth.
I managed to get a small air conditioner from the old apartment to the new one and up the stairs to the third floor, then shut the door to one of the bedrooms and cranked it up. I stripped down and stretched out on a bare mattress, hoping a rest would re-set my system. My skin felt hot to the touch; and I was trembling and throwing up. Logically, it seemed likely to be a combination of de-hydration, heat exhaustion, and anxiety, but I felt like I was dying. I wondered if I might have a brain tumor, a stroke, or some other terminal malady; and went on long thought trains trying to decide if I should go to the emergency room.
I woke up the next day feeling better but still shaky. I walked into Home Depot in Bed Sty and realized that it was hard to see anything at a distance. This is most likely because my eyes are going downhill, but I got scared again. I could feel adrenaline spiking and flooding my body’s systems. I managed to calm down and get what I needed, but I still felt vulnerable. I spent the day building closets out in the new apartment and drinking liter after liter of water. Despite my precautions, I started to feel extremely weird again by late afternoon.
My sister, a marathoner and iron man athlete, has been heat exhausted countless times, and has also suffered from at-times crippling anxiety. “I’m really sure you’re ok. This is what anxiety does. You think you’re dying. Even if you logically know you aren’t. It’s fight or flight.” I found this reassurance immensely helpful. I also spent some time slowly breathing out for longer than I was breathing in, which helped to calm my overstimulated nervous system.
Simon was with my parents so he could be shielded from the chaos of the move and I could be freed up to work efficiently. We moved into the apartment we are just leaving as he was taking his first steps; and now, ten years later, we are leaving as he gets ready for middle school. My priority was to arrange his room so it would be inviting for him when he first walked in and this kept me going even as stress hormones continued to flood me.
On the fourth day, I decided to do one more trip to the old apartment to rescue a box of drawings I had decided against; and I found that I had also forgotten my checkbooks and the hardware for Simon’s bed frame.
I had the odd feeling that we were a receding tide in this place. In the front of the building, I said good bye to my favorite tree. As tears heaved up, I circled its trunk with my arms, thanking it for watching over us all these years (and very much hoping no one was noticing this display of emotion).
I did not practice the 5Rhythms for these four active days, or the two days previous – an unusually long break in practice.
On the afternoon of the fourth day I left to travel to my parents’ house in northern Connecticut and re-unite with Simon.
Last year during the first stretch of the pandemic, Simon and I stayed with my parents for 6 months. During that time, I made it to the woods and to the Scantic River most days, and often danced in nature, in solitude, and in relative silence. In winter, the river flowed along with only the bare trees as witnesses. In early spring, the water level was high and the water flowed rapidly. By late summer, the banks had widened and the river had shrunk down to a small stream.
Last summer was the first of many years that Simon and I didn’t travel; and it turned out that this opened an unexpected door.
To my immense surprise given many years of poor credit, I was able to buy a place in Brooklyn – something that had never seemed like even a remote possibility. This was because of a brief buyer’s market when many flocked away from New York City, the fact that I didn’t spend thousands of dollars on summer travel, and the support of many friends and family members.
Today, following a torrential rainfall, the river was swollen, fast, and muddy. I ran on a loop trail, then decided to do a 5Rhythms wave – that is, I decided to dance through each stage of the 5Rhythms practice: Flowing, Staccato, Chaos, Lyrical, and Stillness. The ongoing light rain intensified, but I found a spot on the trail that was sheltered by tree cover.
I thought I would just dance a two minute wave, but it opened up once I started moving. There was a slight incline, and I used the feeling of gravity pulling my body downhill to find my way in. I noted the sensations of the moving feet, and took deep breath after deep breath. The rush of thoughts settled much more readily than I had anticipated that it would.
My experiences from the previous year when I had danced by this same river almost every day came back to support me.
Today Staccato arrived with ease and precision. I had no problem moving with decisive, clear gestures. The sound of the rain on the tree canopy increased; but I was still shielded and the ground stayed soft rather than muddy.
Chaos disorganized me. “Faster than you can think,” ran through my head, something Gabrielle Roth, the creator of the 5Rhythms, would say. It occurred to me that moving faster than the brain can process proprioception might indeed allow us the opportunity to short circuit our habitual patterns – the things we do again and again to escape discomfort, avoid pain, and reassure ourselves that we exist, that we are separate, and that we will never die.
I thought about how territorial I had been during the weeks leading up the move – no doubt an attempt by my mind to reassert what it knows and relies on.
The rain got lighter again as Lyrical arrived, and I rose, extending as I stretched my arms upward, casting and arcing around my small dance circle.
Stillness always calls me strongly in this place, and I moved with quiet absorption.
I left the woods and ran back home in steady rain, barely noticing the steep uphill climb, just taking it one single footfall at a time.
July 2, 2021, Broad Brook, Connecticut
This blog consists of my own subjective experiences on the 5Rhythms® dancing path, and is not sanctioned by any 5Rhythms® organization or teacher.
by meghanleborious | Jul 19, 2020 | Notes on Practice
This is where indigenous Podunk people once lived during cold months, where my grandfather loved to fish, and where I’ve brought my ten-year-old son, Simon, to experience the changing seasons more closely. For months, since Simon and I have been staying with my parents in northern Connecticut, I’ve run nearly every day in the woods by the Scantic River, then found a place to do the 5Rhythms dance meditation practice. I’ve loved the flowing river, the soft ground, and the shaded seclusion.
Like many practices, it started with following my intuition, then as it felt right, turned into a daily (or nearly daily) practice. But as the river got summer-low and stagnant, I started to feel less inspired. Still I ran and danced there almost every day, and still I was grateful for this beautiful place.
For a week or more, dance didn’t feel good. Most of the time, dance feels good. Even when I’m coping with a lot of anxiety, I can often let it go and let go in movement. Sometimes it’s even cathartic. But at times, I don’t feel any better after dancing than I did before I started, and I stay mostly flat.
I was on such a streak.
Thankfully, after over a decade of practice, I know what to do when it doesn’t feel good: keep practicing regularly, embrace whatever arises (even if it sucks), and remind myself that the magic always comes back eventually.
Yesterday, instead of turning right to head down the big hill to the woods and river, I turned left instead. This time, I ran one house down, then turned into the athletic grounds behind the town’s middle school. Here, rather than running in the dense, enclosed woods, I ran on a half-mile gravel track surrounding a wide open field. I relaxed, pausing frequently to gaze up and take in the open sky. After the first loop, I changed direction, so more of the time I would be facing the widest open space.
Practice is always a mix of discipline and flexibility. The teachings of Staccato teach us to apply intention and energy to our work, including holding our own feet to the fire in daily practice. The teachings of Flowing support us in following our intuition, and in being flexible and attentive to our own needs. As the Buddha taught, if practice is too loose, we could say with only flowing energy, it will not be effective. If practice is too rigid, we could say with only staccato energy, it will not be effective. It takes a balance of both of these energies to avoid stagnating or developing unskillful habits.
After four loops around, I decided to dance a 5Rhythms wave – which is to move in sequence through each of the 5Rhythms of Flowing, Staccato, Chaos, Lyrical, and Stillness.
I found a tucked away inlet of cut grass, off to the side of the field where there was a small platform for outdoor exercise like sit-ups. I stepped up onto it, immediately liking the low friction feel of the wood-like material, and sinking into the circling movements of Flowing. I sank low and swung my hips over the edge, moving in a big arc, curving up onto one heel and back in the other direction, with a gesture like an athlete coiling a heavy discus.
I felt no rush to move into the second rhythm of Staccato, instead feeling like I could keep doing this gentle circling all day. Eventually, the rhythm of Staccato did break through just as the humidity shifted to a thick, slow rain that rattled the leaves like a percussion instrument. The sky remained light and blue on the other side of the field as I moved with sharp edges and exhalation, sinking low in the hips, emphatic with my elbows and the outside ridges of my hands. Next I moved in Chaos, briefly, gently, my gaze flopping around and rushing through clouds, grass, trees, my own feet, my own hands, the blue edge of sun, a bit of a house across the field.
Then, for the first time in over a week, the rhythm of Lyrical visited. Lyrical is like a bird on your shoulder. If you make a loud noise or look directly at it, it flies away. If you stay porous and move gently, it might stay there and coo, maybe even dancing along with you. I fell upward into extensions, turning my smiling face to the sky again as I raised my hands up.
For a short time I moved with everything – the spirits of the woods, the rain, the changeable sky, the breathing trees.
There was something in me that needed to let in space this time. Maybe I will return to the woods. Or maybe dancing in the field will become a new practice. I don’t take ending the woods practice lightly. At the same time, I don’t need to cling to it if it is no longer serving.
Then a jogger joined me on the other side of the field and I knew it was a matter of time before she was right beside me on the gravel track. Not wanting to shift into being verbal just yet, I climbed down from the platform and walked back home in the attitude of walking meditation, loving the sensation of each foot touching down, feeling alive and reverent.
Walking, I barely thought about the difficult question of whether or not I will send Simon back to school in September. I barely thought about my own teaching job, and what the school’s hybrid teaching plan might look like. About the new science that’s showing that COVID may have significant long-lasting impacts and that people who die of it are riddled with blood clots. About how children may be vulnerable. About how having the disease once may not provide immunity. Notably, I barely thought about our foul, inept, self-serving president and all the blood he has on his hands. And I even took a break from thinking about the intricacies of racism in our country, and what would need to happen to eradicate racism, patriarchy, and all oppression, including what I could personally do to have an impact.
I just walked slowly along, stopping once to eat a wild blackberry, then making my way back home.
Individual practice is keeping me alive. Truly. But at the same time I recognize the need for collective work that goes beyond just working on ourselves. Inner work is absolutely critical, but if practice is just there to make us feel good, then it’s not practice. It is actually a sedative, a conditioned habit.
Practice is a tool to pierce through layers of illusion to the radical, shining truth, even if it is politically inconvenient, uncomfortable, challenges our personal views, or challenges existing power structures. I’m extremely grateful when practice feels good, but hope I can push myself toward the truest truths, even if it doesn’t feel good sometimes.
Later in the day, I brought speakers outside and danced in the yard. To my surprise, I again moved with engagement. In Flowing, I moved with a circular swing in the yard. I dipped low, rolling it around my hips and moving in a big circle around it, at times moving toward it and falling, then rising and arcing away. At first, my arms followed my body like sea kelp, but soon, I started holding the swing and pulling it to its curving edge, then falling back into circling. In Staccato, I stayed in the shade of a big maple tree, feeling creative and vibrant, finding new ways to rise and fall, advance and recede, and work with the kinetic energy of the moving hips. Chaos challenged me to explode and release, and I let my head go and moved in a fast matrix, going all out. I was surprised that I had two long Chaos songs in a row in the playlist, but decided to go with it, telling myself to release and release and release further.
A chaos-lyrical song started and I bounded over to the computer to change it, putting on one of my all-time favorite tracks instead of the one I had planned. Lyrical overtook me; and I found a whole new category of movement. This time, pointing a leg and rushing into one direction while leaning back from it, and somehow a wild skittering with the other leg covering 10 or 15 feet in a gushing, joyful gesture, then bounding, leaping and twisting, all with my face tilting upward, smiling.
I have no idea what’s coming, but I suspect that for some of us, this might be a blessed interlude, a raging storm’s quiet eye. I hope I can settle into it, be available for joy if it visits me, step up to help dismantle injustice in ways that are skillful and collaborative, and love the people around me to the best of my ability.
That’s the best I can do for now.
June 16, 2020, Broad Brook, Connecticut
This blog consists of my own subjective experiences on the 5Rhythms® dancing path, and is not sanctioned by any 5Rhythms® organization or teacher.
by meghanleborious | Jul 14, 2020 | Notes on Practice
“I think I have to get out,” I said as my Dad, my ten-year-old son, Simon, and I sat in a stuck canoe on the Scantic River.
I climbed onto the slippery, protruding section of the log that was blocking us and tried pushing. The canoe remained stuck. I instructed Simon to get out too, then balanced my way to a spot on the limb that had an extra branch where we could hold on to balance and exchange places. My Dad shifted from the back of the canoe to the front and leaned heavily backward, trying to lever the canoe over the tree trunk that was blocking our passage while I pushed and tugged. Eventually, it shifted. I squatted low, and held my hand out to Simon so he could creep down the log back to the canoe, then let go of his hand and climbed in myself.
The river was extremely low for canoeing. Normally, my Dad shared, the river is cleared by local parks officials every spring, but it seems like they took this year off as our path was riddled with downed trees.
For the past few days, I’ve been anxious. My work is teaching; and most years by the beginning of July, I’m finally starting to unwind and relax. This year, I’m having the opposite experience. I kept telling myself if I could just get Simon and I through the school year, summer would be waiting for us like the promised land. I also thought that if we could all just isolate for three months, we would move through the worst of the pandemic, and then we could return to life safely.
But it’s been over three months, and the pandemic is still raging. Even in places that have “flattened the curve,” as in New York City where Simon and I live, there are still significant new cases daily. And though there is no end in sight and many states have precipitous increases in cases, the president insists that we need to get back to driving the economy so he can get re-elected in November.
I can’t even begin to imagine what the fall might look like. I’m worried about how vulnerable I’ll be if I’m back in a classroom. I’m worried about how vulnerable Simon will be if he’s back in a classroom. I’m also worried about how Simon will do if he’s not back in a classroom. I’ve even wondered if I should consider leaving NYC and starting a new life entirely.
In addition, like many, I feel called to action as the movement for racial justice sweeps across the nation, and at once feel the need for deep listening and introspection. The need to lean into this work while there is a window of opportunity creates a sense of urgency, at the same time the need for inner work creates a need for patience. This alone would make for a challenging – though absolutely essential – period, never mind dealing with the ongoing pandemic.
The obstacles to dismantling centuries of racism and oppression feel overwhelming at times. It’s hard to even know how best to define the obstacles, or rather, the complex, overlapping processes that sustain 
racism, let alone set about overcoming them.
On the river, for this one day, it was a relief to encounter tangible obstacles we could move through and leave behind us.
Since March when the pandemic started, I’ve practiced the 5Rhythms – a movement meditation practice created by Gabrielle Roth – nearly every day, occasionally in zoom classes, but most often on my own. Most of my dances have been characterized by strong engagement, but in the last few days, movement has been uninspired. I’ve been practicing for long enough to know what to do when practice goes flat: continue to practice regularly, accept whatever arises, and remind myself that the magic always comes back eventually.
Most days, I dance in the backyard, where I can freak out without stressing my knees and joints. Yesterday, the sun was beating down, so I wore a baseball cap and moved in and out of the shade, from the patio where the speakers and computer were set up, to the farthest part of the yard, which is well-shaded by trees. The oppressive heat and humidity might have been a factor, but I kept losing heart. I didn’t want to play any of my favorite songs – the ones that always cause me to explode in dance – since I wasn’t sure I could lift off and was afraid to ruin the songs’ power to move me in the future.
I moved diligently through the entire wave regardless. When I felt a twinge in my lower back, I leaned forward to stretch out my hamstrings. When the wave – that’s when you move in sequence through each of the 5Rhythms of Flowing, Staccato, Chaos, Lyrical, and Stillness – concluded, I spent some time stretching in silence, feeling less flexible than usual and noting many aches and strains.
“Dad, when is the landing coming?”
“Oh, I think we must have passed it,” my Dad said as we navigated yet another seemingly impassable obstacle in the river.
Simon and I have been with my parents in northern Connecticut since March when the pandemic started in our region, and finding ways to keep him productively engaged has been a challenge. Our plan was just to see if we could get the canoe to the river, and paddle a short distance as a test run. The canoe had not been used much in the last several years, but it seemed like something we could do to entertain ourselves during the summer doldrums.
Unfortunately, we missed this first landing and had no choice but to take on a much bigger adventure than we’d signed on for.
I pulled out the phone out of its ziploc bag, opened the GPS, and squinted, trying to make out our location.
“I think we just have a few squiggles in the river, and then we should come to a road. But do you think we should turn back?”
Simon loudly insisted, “Turn back! I vote we turn back!”
My Dad assured us that it would be much harder to paddle back upriver than to continue until the next landing, so after a brief period of discussion we decided to continue in the same direction.
A dragonfly with a shimmery turquoise body and black wings twittered into the boat. Simon screamed and jumped reflexively from his seat on a wooden crossbar in the middle of the canoe, stepping his weight to the side of the boat and nearly tipping us over. “You can’t freak out now! It puts us all in danger! You are going to have to keep it together,” I said sternly. Simon shifted back into his seat and tried his best to work with this mandate.
We continued to paddle and work around fallen trees, rocks, and shallows, with Simon and I paddling in sync, and my Dad steering in the back and calling out instructions.
In addition to dancing every day, most days I run down a big hill from my parents’ house, and around a trail loop in the woods, sometimes several times.
Then I find a place to dance. Yesterday, I chose a spot on the sandy path near a gurgling section of river. The speed of the current here as it churned over a section of rocks heartened me, as many other sections have slowed and stymied with the summer heat and low water level.
I drew a circle in the sand to dance inside of, then imagined that I invited the guardians of the four directions, along with my ancestors, deities, teachers, guides, and spirit animals. I moved in the rhythm of Flowing – the rhythm of receptivity, listening, and grounding – at great length, taking in my own ill ease and unrest. I wasn’t sure I would ever break through to Staccato – the rhythm of action and directed intention, but eventually it did appear, if briefly. I noted a mild headache as I released into the rhythm of Chaos, bouncing gently back and forth. Lyrical today was a mere formality. The final rhythm of Stillness moved me to notice the woods, trees, and thriving green life, though still I remained subdued.
Over a decade of 5Rhythms practice, particularly practice in the rhythm of Chaos, has helped prepare me to deal with uncertainty, but lately it has been uncomfortable. I know that if I can just relax into it the deadening anxiety will release, and I’ll be left with just raw fear and grief, but there are still so many decisions to make, so many factors to weigh, so much information to evaluate.
Part of me thinks something is wrong, and wants to make these feelings go away. A wiser part of me understands that however I feel is fine, and will eventually shift anyway.
Since my mom was planning to pick us up wherever we ended our adventure I tried to reach her, but couldn’t get a signal.
I kept checking the GPS to see if we were parallel to the road yet, but it seemed to be zooming out. I turned off the phone to conserve battery, as we were at just 12%, and stashed it in the front of my shirt.
There were no houses, picnic tables, other boaters, or signs of life beyond green wilderness. The river was so low that the sides seemed like cliffs, with normally-concealed, gnarled tree roots framing our course.
“I like this part,” Simon said as we drifted through a clear section with fewer bugs.
I checked the GPS again, and made the alarming discovery that we were moving in the opposite direction from what I thought. I had a moment of panic, especially concerned for my 70-year-old father who has a heart condition and diabetes if we were stuck out in the sun for a prolonged period, though he appeared to be holding up just fine. I tried to reach my mom again, but the call still wasn’t connecting. When the next big insect appeared, Simon broke down crying.
We continued to paddle. “On the left everyone! Let’s try to clear this log!” my Dad shouted as the canoe thudded to a stop once again. This time, I got out, my feet splooching up past my ankles in slimy mud as I pushed the canoe back into movement.
We celebrated as we maneuvered around another tree, this time continuing through a tight spot without getting stuck.
I tried to reach my mom again, but the phone wasn’t even ringing. I tucked the phone away to avoid crashing into the sharp overhanging branches of another felled tree as the canoe sailed under it with the current, then tried one more time.
“Meghan, we should wait until we get somewhere so she doesn’t have to hang around,” my Dad argued reasonably.
“But we’re almost out of battery, and someone needs to know where we are!” I countered.
“We’re going to die!” Simon wailed.
I was finally able to reach my Mom, just before the battery died. And though I was beginning to fear we might have missed another landing, we spotted a bridge with my mom in the middle of it, waving and taking a video.
“We’re still alive!” Simon cried out happily as we rounded this final bend, waving his arms to get my Mom’s attention.
The long list of uncertainties and fears is still there, and continues to dampen my joy in daily practice, but I know that if I keep opening and opening to the uncertainty that is inevitable anyway, I can move through the obstacles that block the river, and move into the future, knowing full well that this uncertainty is just a hyperbole of the uncertainty that is always there in our experiences, lurking at every bend in the river.
July 13, 2020
This blog consists of my own subjective experiences on the 5Rhythms® dancing path, and is not sanctioned by any 5Rhythms® organization or teacher.
by meghanleborious | Apr 13, 2020 | Notes on Practice
I had just broken up with the love of my life. The first time we embraced, our heartbeats had shifted to match each other, beating in sync. This was the first of many times that we broke up before it would eventually stick. I had built a whole identity around being part of this relationship, then it caved in instantly.
I called my sister, heartbroken, consumed, wanting to talk and talk, to be reassured, to believe it would all be ok, to stay on the line so I wouldn’t have to face the painful feelings, groundlessness, and uncertainty on my own.
Thankfully, a few months before, I had started intentionally studying the workings of my own mind.
My sister seemed exasperated, and suddenly I realized that escaping myself in times of uncertainty was no longer a pattern I wanted to continue.
I hung up the phone and stayed out of contact for several days. I was at the cheapest motel in South Beach, Miami. I scream-cried for two days, slamming my face into the pillows, probably frightening the neighbors, and occasionally pausing to cross the street for the beach and float in the ocean, a tiny being, bereft in the great mother sea.
For the first time since I could remember, I let the full force of my emotions in. It was agony, but it was also beautiful. Somehow, I knew I could face it, though I wasn’t yet sure if there was any way to get through it alive.
Patterns. Strong Emotions. Uncertainty.
As the world grinds to a halt, time slows, and perspective shifts in favor of reflection, I’m forced to confront my patterns, the deeply rooted habits that have hummed along beneath the surface of me for years and years.
It hurts.
I’ve often made the resolution to participate in facebook more often, but have rarely kept it. In the last few weeks, as coronavirus has descended on the United States, I’ve been checking it a lot more, especially since I was in strict quarantine in Northern Connecticut with my ten-year-old son, Simon, for two weeks.
I’m a teacher, and when NYC Department of Education made a sudden pivot (from what now looks like a well-oiled machine) to remote learning to decrease the spread of the deadly coronavirus, I suddenly had to learn a whole new way of teaching for a group of teens who urgently need support and consistency at this time, a role that, sadly, despite my best efforts, I was unable to assume completely at that point.
At once, I was suddenly and without training in charge of Simon’s home schooling, which also meant learning a whole new set of skills and competencies.
I found that I was checking facebook at least once a day. I even started to feel sad that few friends had replied to one of my posts. “Can I get a little love?” I wrote, with a joking tone that was at once needy, stuck. In part, the solitude was getting to me. Also, something in me wanted the reassurance of knowing I was seen and approved of. As this habitual pattern arises, this need to seek reassurance in the face of uncertainty, I have the opportunity to work with it in a new way, to break the habits that keep me trapped in a small sense of self, and blind to my infinite power.
Instead, in the face of grave uncertainty, I think the best policy is to acknowledge and tolerate the discomfort that arises. Otherwise we engage the habitual patterns that we’ve ingrained to keep uncertainty at bay, and in the process re-enforce the small, limited box we’ve forced ourselves into.
That is to say, shit is painful right now. For a lot of us.
And we basically have two options. We can scramble and squirm and try to escape the pain and uncertainty of our situation, through mindless entertainment, overeating, overbusying, worrying, obsessing, complaining, and countless other activities. Or we can stop. We can pause. We can notice the uncertainty. We can feel it in the body as a sour stomach, a clenched jaw, raised shoulders, tightened belly, tensed hips, sweat, breath, heartbeat.
I’ve been practicing a lot, of necessity.
Sometimes it is mundane, a matter of course. Sometimes it is cosmic, earth-shattering.
It seems like truth-guarding layers are peeling themselves away now. I think that if I continue to be diligent, this could be a unique opportunity to open more fully to reality, and to expand my human capacity.
***
Yesterday, I opened the window to the backyard at my parents’ house, where Simon and I are staying, and pointed the speaker out the window so I could hear the music and dance on the soft earth at the same time.
The yard is a mix of uneven dirt, new grass, and moss. I wasn’t sure if I would be inspired, but as soon as I stepped in to this unorthodox dancefloor, I was gathered into movement. In Flowing, I moved around and around, feeling the give of the dirt where underground moles have carved tunnels, the rise and fall of subtle inclines, the bumps and divets of the yard. I moved gently at first, trying to baby my knees, but as Staccato emerged, I lost my hesitation, moving with vigor and inspiration, at moments partnering with my own shadow in the late afternoon light.
In Chaos, I found a new way to shake–putting most of my weight on one foot and freeing the other side of the body, flapping the hip until the motion richocheted from my center to my edges and flung me into powerful motion.
Yesterday, I danced all day. I did yoga for a while, then danced part of a wave. I danced on zoom for a short time with a friend who, like many, is struggling with grief and rage. I went into the woods and danced a wave by a river that my grandfather loved, ending in Stillness with the currents of the river and the wind passing through me. At night, I danced as a participant in a zoom class that was facilitated by a senior 5Rhythms teacher.
Sad news kept rolling in, keeps rolling in.
I feel guilty for having afflictive emotions, when so many are facing the worst kinds of losses and I’ve been so lucky and so privileged. This is its own pattern, of course. The emotions knock at my front door regardless, and, though I squirm, I don’t go as far as barring them from entering.
One day this week, I felt left out, in a pervasive sense. I felt like no one was answering my emails or comments at work. And many of my friends outside of work seemed to be engaging seamlessly with each other, but I didn’t feel like I really knew how to be part of a digital group, how to participate in friendships this way. The isolation is getting to me. And recently I’ve noticed that I have some fear and resistance around group friendships.
Another pattern rearing up in the face of uncertainty.
In a moment of parent-child discord with Simon, I glanced over my shoulder out the window. A bluejay had landed on a small flowering tree in the yard. A white blob of birdshit escaped him and he moved on.
I turned my attention back to Simon as he resisted my efforts to get him into a creative activity, defaulting to a video game. I pushed harder, he resisted more. I pushed harder. He lashed out. I lashed back. He stormed off, then hid his face, waiting for me to find him, to apologize, to lure him back to good humor. I won’t say that I shortcircuited the pattern this time, but at least I saw it, this habit, yet another habit, that has emerged with extra force in the face of the current uncertainty.
Today is my birthday. Still feeling left out, I (mostly) resisted the temptation to seek reassurance. Instead, I reached out to two friends and asked them to help me plan a zoom dance party and learn the sound tech needed to pull it off. They were incredibly generous, and a number of cherished friends joined. I felt loved and seen. Later, I hosted a family zoom dance party. Some had trouble with the technology, but many danced with good humor, including Simon. In this case, instead of asking to be reassured, I found a way to connect that would allow me to feel included. And I resolved to give more, even in group friendships, so I don’t set myself up to feel left out.
For weeks, I’ve more or less been thinking that if we just get through a certain period of time, there will be a point when things are ok again, are relatively safe, at least from the standpoint of germs. It’s only just now sinking in that there probably won’t be a clear moment, but rather it will be a jagged process that involves considerable risk. The president’s rhetoric concerns me immensely, and I’m afraid of another surge of cases if everyone is given a green light to continue business as usual. Even more uncertainty.
***
Today I reflected that practice itself can be a habit that interferes with practice.
Playing with Simon on a swing in the backyard, I noticed a tendency to think about what I would do after the swing session, ironically wishing to get back to practice. Then brought my attention to the texture of the swing, the movement of my body as I pushed Simon, Simon’s smile, the feeling of my voice vibrating in my throat, the soft ground, the wind rushing the just-budding branches.
I assigned an article on dealing with uncertainty to the high school students I teach. In it, the author argues that accepting the reality of uncertainty is essential for freeing our minds. She claims that when we are stuck on the impossible effort to establish certainty, our minds are fixed and rigid, but that “an uncertain mind is curious, interested, reflective and malleable.” (Headspace, 2015) From a practice perspective, I explained to them, uncertainty, though often painful, can also be seen as an advantage.
In practice, by staying present with what arises, we notice the patterns and habits that emerge when we are not present–our efforts to establish certainty. In 5Rhythms, we practice continually interrupting our patterns by moving in new ways: an in-the-moment laboratory for uncertainty studies.
If we can acknowledge and tolerate the discomfort that arises without grasping for certainty, we have a chance to disengage the habitual patterns that we’ve ingrained to keep uncertainty at bay. And to meet our lives in the process. Even in the face of chaotic emotions, even in the face of overwhelming fear, even in the face of devastating losses.
In the words of Pema Chödron,“It’s not impermanence per se, or even knowing we’re going to die, that is the cause of our suffering.. Rather, it’s our resistance to the fundamental uncertainty of our situation. Our discomfort arises from all of our efforts to put ground under our feet, to realize our dream of constant okayness..But when we can completely let go and not struggle against it, when we can embrace the groundlessness of our situation and relax into its dynamic quality, that’s called enlightenment..freedom from struggling against the fundamental ambiguity of being human.” Living Beautifully with Uncertainty and Change
April 11, 2020, Broad Brook, Connecticut
by meghanleborious | Apr 6, 2020 | Notes on Practice
I’m listening to a livestream piano concert now given by a teen named Donny, who is the nephew of a friend. She shared that he has blastoma and autism, and just lost his mother. As I join the stream, Donny opens with three of my lounge-singer-grandmother’s favorite songs: Smoke Gets in Your Eyes, Misty, and Unforgettable.
***
I’ve been crying intermittently all day.
After 14 days of strict quarantine, my ten-year-old son, Simon, and I were able to join the household of my parents, in their house in Northern Connecticut yesterday.
***
Now Donny is playing Somewhere Over the Rainbow. He’s not reading any sheet music, and he’s really good and really into it. He mentions playing something “just like mom used to play it” and a male voice off the screen says, “You played that song at her service.”
***
Yesterday, Simon was very excited, got up super early, and raced to my parents’ room to climb into their bed and hug them. We had planned a whole coming out party, with dance and singing.
But this morning, Simon and I struggled. He seemed resistant to everything and uncooperative. He didn’t want to sing, dance, or help his Nana make a giant chalk drawing in the street to express thanks to health care workers.
Simon’s father, who was officially my partner for eight years, and has been my not-husband and close friend for another ten, decided to stay in Brooklyn, rather than come to stay at an apartment nearby we were able to arrange for him.
***
Every time Donny finishes a song, the off-camera person (his father?) claps enthusiastically.
***
I took a break from parent-child volatility to dance the Sunday Sweat Your Prayers 5Rhythms dance class at 11AM, happy to connect with community. Before joining, I took an emotional call from a family member I’ve been worried about.
I started late because of the call and caught only the tail end of the rhythm of Flowing. Today I cried hard as soon as I started to move, especially during a song with lyrics about loss. Lately, I’ve been recording myself when dancing for my own interest; and on the video my feet seemed a little hesitant in this beginning part. In Staccato, I had no trouble finding expression and inspiration, but with so much yoga and dance lately, my knees are a little tender, and it’s like I was trying to avoid stomping, a tiny bit aversive. In Chaos, I moved quickly, coiling and shaking. In Lyrical, my hands seemed to take over, but my arms didn’t seem to be fully extending. Overall, I was kind of flat today, compared to my usual athleticism.
Near the end of the Sweat Your Prayers class, Simon’s came in and said, “Mom! Get. Me. Socks!” Another period of challenging exchanges was set off.
While I was dancing, my Mom created a giant chalk drawing across the street that says, “Thank you, helpers!” She tried to engage Simon, but he was resistant. Challenging because the reason she designed the project was specifically to engage Simon. A motorcyclist went out of his way to avoid damaging her cheerful drawing. Another passing driver beeped and waved, smiling.
Everyone in the house seemed to be having a hard time.
Now? When we’re faced with so much danger, so much uncertainty? How can we be anything but overjoyed to be together? Unceasingly loving and kind? I know connecting with the people we love is the top priority now, and felt dismayed that it wasn’t going well.
Eventually this wave of unrest managed to work its way through, and we agreed to sing a few karaoke songs together.
Singing is very emotional for me. My Dad loves to sing, and we’ve been singing together like this for my entire adult life. It’s easier for me to sing with him because I can follow him. On my own, it’s much harder to carry the tune. When we sing, I feel the mixed happiness of being together in joy, and pain of knowing how much this will hurt if there is a time I don’t have him any more. Also, my Dad is the most tender-hearted person I know, and it comes through in his singing voice.
All four of us were smiling and dancing. Simon, though still young, is a trained musician with a strong, clear voice, and belts out a few of his favorite songs. I put on a hot pink tutu that I found near the karaoke studio in the basement. I was having a little trouble because sadness kept bubbling up; and it’s hard to control your voice when your heart wells up into your throat, but still sang with feeling. My Mom alternated between singing and dancing–at one point waltzing with Simon–and she took a video of Simon, my Dad, and me singing a melodramatic 80’s song.
My Dad had a heart attack two years ago, and was recently diagnosed with diabetes. My Mom and my Dad will both turn 70 this year. As we sing, I think again and again of how precious these moments are, and how grateful I am to have them.
***
Now my mom is sitting with me, watching and listening as Donny plays Ave Maria.
***
In Stillness of the 5Rhythms wave in the Sweat Your prayers class, I sink deeper inside myself, imaging that I’m channeling light, and sending it out one hand, around the entire world where it pours out white fire, then back into the other hand after a trip around the world. Soon, I imagine the entire world engulfed in purifying flame, flickering with spirit fire.
***
Donny ends with Danny Boy, a song my both my grandmother and my great grandmother loved, and we are in tears, sobbing along to the lyrics.
At the end of the concert, Donny walks toward the camera and takes a formal bow, then signs off.
***
I didn’t want surprises tomorrow morning right before I have to work, so I checked my work email right before posting this. I learned that another student I’m close with has lost a family member.
My heart breaks. So many people are suffering now, most especially those who are vulnerable because of poverty.
For now, there is nothing to do but practice, and pray, and try our best to love the people who are close to us as skillfully as we are able.
April 5, 2020, Broad Brook, CT
